I see lots of passages that scream AI. Some selections:
> Retailing for $40,000 (over $100,000 today), it pushed the boundaries of what CRTs could achieve, offering professional-grade performance.
"Professional-grade" huh? There are professional TV watchers? It's not a studio reference monitor. It's just a regular TV but bigger.
> The urgency was palpable.
Where does one palpate urgency?
> Against the odds, Abebe found the CRT still in place, fully operational, and confirmed that the restaurant owner was looking for a way to get rid of it.
We establish later that it wasn't fully operational at all. And what odds? We didn't establish any. The TV is rare, and we later establish that the original owner knew it.
> What follows is a race against time to coordinate the TV's extraction, involving logistics experts, a moving team, and a mountain of paperwork.
> Abebe, the man who made the rescue possible, turned out to be the director of Bayonetta Origins: Cereza and the Lost Demon. His selfless dedication during the final months of the game’s development exemplifies the power of shared passions.
Cool detail, but irrelevant, even if followed by breathless admiration fluff.
> This story isn’t just about a TV; it’s about preserving history and celebrating the people who make it possible.
I don't recall anybody being celebrated. They got a cool TV. Cool.
>I don't recall anybody being celebrated. They got a cool TV. Cool.
The original video gives plenty of appreciation to the people who made moving it possible, the shop owner, and the people who restored it to perfect working condition.
The TV was bought and used by a business, it doesn't get much more "pro" than that (someone should remind Apple's marketing team). But we could argue about semantics all day, humans make vaguely inaccurate statements all the time.
> Retailing for $40,000 (over $100,000 today), it pushed the boundaries of what CRTs could achieve, offering professional-grade performance.
"Professional-grade" huh? There are professional TV watchers? It's not a studio reference monitor. It's just a regular TV but bigger.
> The urgency was palpable.
Where does one palpate urgency?
> Against the odds, Abebe found the CRT still in place, fully operational, and confirmed that the restaurant owner was looking for a way to get rid of it.
We establish later that it wasn't fully operational at all. And what odds? We didn't establish any. The TV is rare, and we later establish that the original owner knew it.
> What follows is a race against time to coordinate the TV's extraction, involving logistics experts, a moving team, and a mountain of paperwork.
> Abebe, the man who made the rescue possible, turned out to be the director of Bayonetta Origins: Cereza and the Lost Demon. His selfless dedication during the final months of the game’s development exemplifies the power of shared passions.
Cool detail, but irrelevant, even if followed by breathless admiration fluff.
> This story isn’t just about a TV; it’s about preserving history and celebrating the people who make it possible.
I don't recall anybody being celebrated. They got a cool TV. Cool.