> But I also think the people that want to pay for art will continue to pay as their motives and values are different.
The big difference is the type of artist. People selling fine art won't be affected much. The vast majority of artists are commercial artists, the the idea that being a commercial artist is morally or creatively bankrupt— a common sentiment among those who want to imagine that this is all just fine— is nonsense. It's pilfered commercial artwork that makes up the bulk of these tools commercial utility, and the people that made it stand to suffer the most.
I haven't seen that idea (artists being morally bankrupt), like you I'd strongly disagree. I also agree it's a shitty situation that artists invested hundreds of hours of their own time to create something only to be repackaged and sold by some AI tool.
That said, I'd still make the same point that people who value art and the artist will buy from and support the artist. Those that don't value it, won't. But now we're on a larger scale.
>That said, I'd still make the same point that people who value art and the artist will buy from and support the artist.
The chances anyone will come across the artist when their marketplace is flooded with increasingly plausible simulacra become more and more slim as time goes on.
AI is choking off any hope for artists supported by patronage, simply by virtue of discoverability being lost and trust being eroded.
The big difference is the type of artist. People selling fine art won't be affected much. The vast majority of artists are commercial artists, the the idea that being a commercial artist is morally or creatively bankrupt— a common sentiment among those who want to imagine that this is all just fine— is nonsense. It's pilfered commercial artwork that makes up the bulk of these tools commercial utility, and the people that made it stand to suffer the most.