This exists today... you can buy several tiers of tickets on Ticketmaster and the ability to even access those tickets depends on other status.
Today we see Ticketmaster adding numerous fees and using anti-competitive venue and artist lock-in to avoid the industry having competition.
I have been to over 100 concerts in the last 2 years and I can't say I have noticed any additional value or ease by using my tickets through Ticketmaster (I actually use DICE a lot which at least has a simple resale process for FV and shows full cost)
Doing onsales is pretty hard, your basically making every one stand in line all be it virtual.
No one wants to deal with that. The current all in price is just going to become the "minimum bid" put down more money and possibly get better seats. When ever one has bids in, then close them and run an algorithm to distribute seats and start charging cards. The tech is cheaper, you cut out scalpers for the most part and every one makes more money.
>> So what makes it better? Should we be thankful for the current status quo?
Taylor Swift cleared a billion dollars at the box office (that's tickets) she's gonna walk away with half that.
There are countries with GDP's that small. Taylor Swift made so much money selling tickets that she could be a micro nation. Thats not t-shirts, that's not concessions, that's not kickbacks. Thats half a bill on just tickets.
Look at an artist like Dave Mathews. Who went out of his way to have his own ticketing and merch platform (Music Today)... Now it is a "presale" for Citi Customers...
When money fell out of the sales of physical media concerts, merch and licensing were the only avenues left to make money. When artists get big they cash out, the fans pay for that...
I dont think the status quo is going anywhere, sadly. Like loot boxes and pay to win games the genie is out of the bottle, the only thing you can control as a consumer is your own spending. That might mean going to local shows or staying away from major artists...
Excellent, you agree that it is bad now. The only thing that will make it better is non-exclusivity with venues and no monopoly power in ticketing systems. Then people can iterate and appeal to customers for their purchasing power.
As I said before, no problem paying more for tickets if artists feel this is how they make money, but none of this scammy fee-based structure where I am charged 20% of my ticket value as a convenience fee due to getting it virtually (lol?)
Today we see Ticketmaster adding numerous fees and using anti-competitive venue and artist lock-in to avoid the industry having competition.
I have been to over 100 concerts in the last 2 years and I can't say I have noticed any additional value or ease by using my tickets through Ticketmaster (I actually use DICE a lot which at least has a simple resale process for FV and shows full cost)