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Speaker for the Dead (1987) has something similar so the idea is much older than that at least.



IIRC the book(s) mainly referenced "subvocal" controls, based on detecting almost-talking movements within the user's face/throat/voicebox.

I'd argue those are qualitatively different, more like a modern-day system of saying "AssistantBot: Send E-Mail", as opposed to a geometric mapping one could use for, say, painting a picture.




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