Artists are "rightsholders" and their ilk. You didn't even separate the two in your former comment, so you clearly weren't talking about corporate owners of IP like Sony and Disney, exclusively.

Maybe you believe no artist who works for a corporation has any motivation but money, as opposed to purely "indie" artists, I don't know where the line in your head is drawn, but you do seem willing to throw most artists under the bus for some arbitrary standard of purity.

AI is harming working artists right now, and will likely never harm corporate rightsholders. They'll simply run their own AIs and fire as many people as they can get away with. The end result will not be that only the "true" artists survive but simply less art of any kind, everywhere. So I stand by my comment.

With rightsholders I mean exactly those big corporations who do nothing else but buy up copyrights to successful art.

I for example have never benefited from copyright, neither from GEMA (the German artist association for musicians) - 99% of payouts go to the rich and successful mainstream artists and „indie“ artists get nothing but are forced by law to pay in if they want to perform in public.

So yea I have little sympathy for artists who only work for corporations or are rich enough to afford lawyers to enforce their copyright.

The way I see it there exist 3 ways to make a living as an artist now: - be rich trustfundkid and don’t care about money - be „purist“ and just live from selling your art and be on the brink of starvation constantly - get a „money“job and produce art in your spare time

Apparently there exists a huge population of artists who can make a living from working for corporations - but I have yet to meet one in real life. They are always brought up in these HN discussions but in my experience they don’t exist.