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> TLJ is super-ultra (about 99%) artsy fartsy, just the Euroartrash type which most non-critics aren't familiar with

Hard disagree. First, I'm familiar with many kinds of European cinema, and second, by no means is anything Star Wars artsy-fartsy, or "Euroartrash" or whatever silly made up category.

It can be bad cinema, but that's unrelated. Star Wars is, and will always be, about entertainment first; not a single Star Wars movie or TV show escapes this fact. Not a lot artsy about it.

Subverting (some) expectations has nothing to do with being artsy. And it's not like the new trilogy was particularly gutsy either; it just wasn't very good.

We agree on one essential thing though: my main criticism of Star Wars is that it's mostly played out, with very little left to say (with some honorable exceptions). Time to give this corpse of a movie universe a rest, instead of keep milking the cash cow.




I guess you have a different criteria for 'arsty'. For me, the sensibility matters more than the experimentalism some of these movies have. Some other guy below mentions a Ryan Johnson interview where he says 'subverting expectations' was a main focus (I wasn't aware of this, it just was my first impression). That's typical for post-Deconstruction European filmmaking. It was bringing this sensibility (a poor fit for Star Wars) which makes it 'artsy' here.

In fairness, I knew the moment JJ Abrams got the role that the sequel trilogy was doomed. It's a lot more his fault than Johnson's, and a lot of the criticisms TLJ got were a consequence of the previous movie. If SW was to modernize, it needed to find new grounds, and JJ could never do it.

I was never a big fan, but I still regret to inform everyone that Disney is going to Zombify the franchise and milk the Zombie cow forever. This video is the future of Star Wars:

https://www.youtube.com/watch?v=8zY9z7IP-1Q

(Yes, it's about the Simpsons, but all Zombie TV looks the same at the limit)




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