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Yes, they do, and that is a very poetic thing to consider.

On one hand, you can marvel at how little they drift during a single power reserve. Could be seconds, which is barely noticeable in everyday life.

On the other hand, some others (Seiko 5...) can drift minutes in a single reserve... And so what? In a day and age when we measure everything with maniac precision even during a random person's day, it's beautiful to lose some control and gain back some leeway with regards to time.

I love that it is "about 22:00" rather than 22:03:37.




https://www.moma.org/collection/works/81074

'Initially set to the same time, these identical battery-powered clocks will eventually fall out of sync, or may stop entirely. Conceived shortly after Gonzalez-Torres’s partner was diagnosed with AIDS, this work uses everyday objects to track and measure the inevitable flow of time. When one of the clocks stops or breaks, they can both be reset, thereby resuming perfect synchrony. In 1991, Gonzalez-Torres reflected, "Time is something that scares me. . . or used to. This piece I made with the two clocks was the scariest thing I have ever done. I wanted to face it. I wanted those two clocks right in front of me, ticking."'


Ah, yes. Gonzalez-Torres. I first saw his work at the Centre Pompidou in Paris. It was a string of dollar-store Christmas lights stapled to the wall. I think there were 24 lights, to represent the age at which is partner died.

I'm usually the guy willing to defend contemporary art, but there's not much I can do here. The work lacks any craft and the insights are shallow, better expressed by the label than the piece.

Clearly the curators of these very famous museums disagree with me. But when people mock "modern art" (which this technically isn't), this is what they're thinking about.


Sure, you could trace this meaninglessness back to the obvious Duchamp Urinal example, but I could read it as being forever haunted by a specific number to the point where even the banality of dollar-store Christmas lights takes on a new and painful meaning.

If I glimpse another consciousness and walk away a different and more empathic person, then who am I to mock it?


>I love that it is "about 22:00" rather than 22:03:37.

Agreed. I view myself as a pretty casual person, someone who's not overly concerned with the minutae of modern life. But with a digital watch, it's "12:47" and not "a quarter to one", which to me sounds infinitely cooler. With a slightly inaccurate mechanical movement, I fall into the latter manner of speaking, which is more what I want to be. Weird psychological preferences, but something that counts, to me.


I don't really find it beautiful being 15 minutes late because I haven't adjusted my watch in a while. This is really a big thing that put me off.


The watch I have is rated to +-2 seconds a day. It'd take 15 months of not adjusting my watch to be 15min late.

That's pretty amazing to me that basically a spring and some gears can be that good at keeping time.


Yeah, I don't deny there is a certain natural fascination to them.


In this modern age, you'll often come across synchronized digital clocks. Whether on your computer, phone, workplace, bank, etc. For me, it has become second nature to adjust my watch's time once every few days. I end up comparing my watch vs a clock a couple of times per day, and deciding the difference is great enough to fix, once a week or so (on a cheap, inaccurate Seiko 5, I would expect less frequency with a better timepiece)


I suppose it depends what you want out of your watch, but to me having a time I can't trust is frustrating. Even the best automatic watch is less accurate than quartz (which itself can eventually drift too...).




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