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> The worst thing is to feel that as a photographer I am benefiting from someone else’s tragedy. This idea haunts me. It is something I have to reckon with every day because I know that if I ever allow genuine compassion to be overtaken by personal ambition I will have sold my soul. The stakes are simply too high for me to believe otherwise.

and

> The act of being an outsider aiming a camera can be a violation of humanity. The only way I can justify my role is to have respect for the other person’s predicament.

and

> I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.

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> I used to call myself a war photographer. Now I consider myself as an antiwar photographer.

and

> But everyone cannot be there, and that is why photographers go there – to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on – to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference – to protest and by the strength of that protest to make others protest.

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> Is it possible to put an end to a form of human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance. Yet, that very idea has motivated me.

– James Nachtwey




I met Nachtwey once. In the early noughts. He struck me as a kind but broken man.




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