-- Litho film was also very high contrast so everything pretty much came out black or white. (Photos weren't actually reproduced as greyscale but rather as a set of larger or smaller black dots using a halftone screen. This still applies when things are printed.)
-- Because litho film was sensitive to blue, the non-repro blue writing on the white paper would, like the white itself, be an exposed part of the image. This results in a black area of the negative where silver halide has been turned into metallic silver. This black area would then become white again when the negative was used to create a printing plate.
-- Litho film was also very high contrast so everything pretty much came out black or white. (Photos weren't actually reproduced as greyscale but rather as a set of larger or smaller black dots using a halftone screen. This still applies when things are printed.)
-- Because litho film was sensitive to blue, the non-repro blue writing on the white paper would, like the white itself, be an exposed part of the image. This results in a black area of the negative where silver halide has been turned into metallic silver. This black area would then become white again when the negative was used to create a printing plate.