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I've been building a largish webapp with htmx and I've leaned into web components for these more complicated interactions. I've found htmx great for everything that _should_ involve a call to the backend, anything that does need to fetch data or perform some crud operations, then i can return the necessary markup with oob swaps etc. and mostly forget about client side state

But yeah it's great to see people sharing their approaches!


Sounds like an interesting use! Did you write about it anywhere? Or have a repo we could look at?


I want this to be the plot of bladerunner - deckard must hunt down errant replicants before they completely go insane due to context limits


SO I worked as a professional musician for over a decade before a career change to software development... and since that change, the act of _listening_ to music has completely disappeared from my life. I cannot work or study with music on, I do not put music on when I'm home alone, I do not listen to music when driving... And for many years I gave up completely playing music even as a hobby. So although for most of my life I would have been shocked that someone could entertain the idea of living without music, I am actually now more shocked that people can do things like study or program with music on at all. In all that time though I was always impressed and surprised by what people would consider music :D


Part of me wants to say that it's best to work in a 'low-ego' environment as opposed to a 'high-ego' one - or to avoid working with people who have 'huge egos'... but I honesty find any discussion about 'egos' relatively devoid of meaning. As someone else said, it's difficult to find people who work without ego (whatever working without ego would mean). Most of my professional experience is as a working musician, and it goes without saying that artists have egos, in the sense that they try to bring something from their inner selves to the outer world, and that they invest a lot of effort in learning how to do so properly. Sometimes I've felt that the best musicians I've worked with were "low ego" but this could be just that they are supremely confident and also not lacking in affirmation from their audiences - and if they are kind, from their fellow musicians. The worst people I've worked with are talented people who can't seem to find the affirmation they crave, but feel they deserve. They feel constantly slighted and left behind. As a band leader, I realized I simply have to stroke these people's egos - no matter how confident, skilled, or amazing some people seem they are riddled with self doubt and absolutely need outside affirmation. I used to fight it, but eventually learned it was my job as a manager of sorts to do so...


I find "ego" to be really interesting — on the one hand you want high-ego: confidence to try things, strong sense of mission — and on the other hand you want low-ego: selfless giving, able to let go of ideas that aren't working. Are those egos the same thing? I really don't know.


This terrifies me


I'm sorry, California does indeed allow children to skip grades. I also live in California and can think of 2 kids in my son's school who have skipped a grade. It is totally permitted - we've even discussed skipping our son one grade because he too is bored and capable of more, not only in maths but in every subject. We decided against it for social reasons.


"For a simple example, a better home craft than lemonade might be a pastry, taken seriously. Not sugar cookies or muffins, but the kind of thing that is plain for a 13-year-old to understand, harder for him to make, and very difficult to master. If a child committed to a batch a day, documenting progress, perhaps in time he would have something worth selling."

1. is lemonade a home craft? 2. who is forcing their children to bake sourdough croissants? 3. is craft baker really the career path of the future?


They teach gym


I clicked on this link with one of my two index fingers and felt the joy of a person feeling enjoyment


I want an author who's work is completely unidentifiable from one release to the next. Or to find a dozen authors who have inconceivably and independently created identical manuscripts. Surely if there were a library with all possible books, we would find one of those two things...


Not exactly, but Walter Jon Williams keeps switching genres successfully:

- Napoleonic sea fighting

- early cyberpunk (Hardwired)

- middle cyberpunk around the Solar System (Voice of the Whirlwind)

- late cyberpunk post-scarcity space opera(Aristoi)

- transhuman space opera (Implied Spaces)

- New Mexican police procedural / thriller (Days of Atonement)

- near future thrillers (This Is Not A Game and sequelae)

- fantasy of city infrastructure (Metropolitan and City on Fire)

- comedy of manners (the Drake Maijstral trilogy)

- Fall of the Space Roman Empire (Dread Empire's Fall series)

- Medieval fantasy (Quillifer and sequelae)

and a Giant Disaster novel, a Zelaznyesque SF mystery, and a Star Wars work-for-hire.

There's enough there for five separate authors to make marks on the field.


Sounds like you'd be interested in the short stories of Jorge Luis Borges - your comment brings Pierre Menard to mind.


> Or to find a dozen authors who have inconceivably and independently created identical manuscripts.

So, kind of like, or so it is said, the septaguint?


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